SACK UP
This is too easy. Documentaries used to reveal things. They used to explore aspects of life that your typical Man on the Street would never find out about. Think of
The Thin Blue Line and
Hoop Dreams — movies that revealed things, that broke the anonymity of the disenfranchised.
Nowadays, many popular documentaries seem content to dabble in the obvious. We are finding out, much to our horror, that eating McDonald’s every day for a month is not a good idea, and that it may in fact have health consequences (Amazing! I can see the headlines now: “Documentary links diet, health”).
The neo-documentary is the same boring animal as the vapid news-magazine shows that have infested every major network. I’m talking about Dateline NBC, 60 Minutes, 20/20, 60 Minutes II, 20/20 Monday (or Tuesday or whatever) — the kinds of shows that send presumably serious journalists (they look mighty serious — mustaches roiling, eyebrows cocked) out to seedy motels to reveal with ultra-violet lights that the bed your family is sleeping in is pretty much soaked in a potent cocktail of pig semen and methamphetamine, that sharks will eat your children ... probably, and that somewhere in Utah, a man has seven wives, one of them 14 years old.
(I should note, in the interest of full disclosure, that I am hopelessly addicted to news magazine shows ... and adverbs.)
So I’m fairly certain that everyone in the country — even the people who watch it and nod their heads in righteous indignation — know that Fox News is a bit of an industry joke. I mean, most television news is an industry joke. The whole industry might soon be an industry joke. And this didn’t happen like five years ago. It didn’t happen 10 years ago. It’s been going on for a long time, and people have been eating it up for just as long. Conservative, liberal — it doesn’t really matter. The ratings: that’s what matters. We don’t need a documentary to tell us this. We
shouldn’t need a documentary to tell us this.
Network already told us. Bill O'Reilly is a modern-day Howard Beale, sans the studio audience.
In other entertainment news, I was mildly disappointed yesterday when I saw that Hollywood is remaking
The Manchurian Candidate, a movie that I think has been grossly overrated for far too long. Don’t get me wrong. Angela Lansbury as a bad mamma-jamma, but by the time I saw this movie (in the early ‘90s), the whole brainwashing/auto-suggestion/hypnosis thing was a bit far fetched. Maybe in the early ‘60s that kind of thing was pretty cool, but when I see Frank Sinatra flipping through a deck of cards and going stiff as he gets to the queen of blank (I forget the suit ... and I don’t want to ruin the movie if you haven’t seen it), I can’t help but roll my eyes.
Now excuse me. I have work to do.